Lament

My fantastically long summer holiday has just ended. I’ve truly enjoyed these nearly three months of summer and freedom, but I’ve also kept myself busy with all sorts of music-related stuff.

The idea for this new piece of mine has been haunting me in my mind for months, but I’ve been unable to figure out how to complete it, and the process has been very fragmented. But now, finally, here it is: my Lament (or more precisely, a draft of it).

It has taken a long, long time to put this together, but it’s actually a good thing: if I had recorded and published it before summer (that’s when I started working on the ideas that I had), the final product would have lacked the double bass and the beautiful, beautiful field recording from Wilson’s Promontory’s famous Squeaky Beach (well, you can’t hear the actual beach on this recording, but maybe I’ll find some use for the squeaking later on)!

This is the second demo that includes field recordings that I’ve made with my new favourite toy, the binaural microphones by Soundman, Germany. The sounds of the waves at the Squeaky Beach must be the best sounding bit in this piece, since my methods for recording and sound editing are otherwise pretty uncivilised! But I hope that you enjoy the piece as a whole, too.

Thank you for listening!

Life of a busker

I had never busked before coming to Melbourne, the city of buskers. I just love the vibrant busking scene with all possible sorts of artists: musicians, dancers, circus performers, fine artists, actors, magicians… And pretty soon after arriving here I wanted to give it a try myself.

Back home in Finland, the idea of playing some traditional Finnish folk music on the streets did not feel tempting at all. But here it started to feel more reasonable: I wanted to hear what people here think about such “exotic” music. So I got myself a busking permit and hit the streets!

To be honest, I wasn’t very well prepared for busking in a busy city filled with noise, but I managed to find some nice spots for acoustic solo playing. And while I was taking my first steps as a busker, some charming individual hacked my debit card. I knew I’d have to wait for a good while until my new card arrives from Finland, so I decided to make a little test: could my humble solo act provide me enough money for food and necessities?

Turns out it could, easily. I was rather lazy a busker – I only played for a few hours a week – and I know I wasn’t the most celebrated act in town, but I could still eat well and buy everything that I needed (not always everything that I wanted, but you always want more than you need, right?).

Besides necessities, busking also brought me interesting conversations and encounters with all kinds of people, musicians and non-musicians alike. I got invited to jam sessions of various kinds, and learned a lot from musicians of different genres. I realised that the beauty of busking is indeed in the direct contact and communication between the artist and the audience of all walks of life. Busking also allows anyone to share their art in public (unless it’s outrageously offensive, dangerous or pornographic), and it allows literally anyone – despite their age, gender, social status, income and all that – to experience and enjoy art in its many forms without any barriers, just like it should be.

Busking has indeed become one of my favorite art forms. It has given me so much: high-quality performances, fascinating encounters with people, much-appreciated income… and a most memorable and extraordinary holiday trip to the magical Fraser Island with a group of lovely, lovely people that I can now call my friends. They took me – a stranger they found from the street – with them to Queensland, provided me food and accommodation, treated me like a family member, and all I had to do was -besides being crazy enough to join this group of complete strangers – to play for a few minutes at a stunningly beautiful wedding. It was all like from a fairy tale: one day I’m busking in order to get some food, and the next day I’m on my way to paradise island. How miraculous is that!

After all these fantastic experiences I can highly recommend busking to anyone who’d like to share their artwork and make new contacts. I know that the city of Melbourne has put a lot of effort in supporting its vibrant street art scene, and I think cities and towns everywhere should do the same. Art for everyone, every day!

 

Kuuletko?

I was supposed to post a new piece already in December, but something rather extraordinary happened to me. I promise, I had a very good reason not to work on this blog or anything else! I’ll write about it in my next post… but before that, it’s time to share some memories from last year!

My first semester in Melbourne was full of events, new people, studying, learning and joy.  So full, that at some point I realised I was exhausted. It surprised me big time! I guess I was just so excited about my “new life” here that I didn’t even think that I could get tired; after all, everything happened in fast tempo and in English, and believe me, it ain’t always easy to be a foreigner, no matter how well people treat you!

Anyhow, my exhaustion turned into something that I view as kind of a musical diagnosis of my mental state at some point… but maybe it’s something else to you. Feel free to share your thoughts!

Happy new year!

Running

Here it is: the first song I’ve ever written in English (not that I’ve written that many in any other language). Thanks to my beloved friend Amelia, it is also my debut as a cellist!

Inspiration for this piece came when walking down Swanston Street, Melbourne CBD, when I was still very new to Melbourne.

Resonating

I’ve been thinking about the power of music in our lives lately. Why is it so important that every culture has developed their own ways of producing it? How can it be so powerful that it provokes emotions and physical reactions?

What come to music and sound, each music culture and genre has their own aesthetic and functional preferences. There are endless purposes for music: some music is for dancing, some for meditating; some for advertising, some for worshipping; some for creating atmosphere and enforcing social ties. Anyhow, it’s always a matter of communication: humans communicate with each other and the visible world, or even with the higher powers of our universe. For example, the Balinese gamelan music is used as a communication vehicle between the three layers of the Balinese cosmos: the lower world of the evil spirits, the middle world of the humans, and the upper world of the deities and gods. Balinese sure know how to use their traditional music! (I find gamelan so fascinating that I think I need to dedicate one, or even several posts to it.)

But how can music obtain such power? There aren’t always lyrics in music, and if there are, they aren’t necessary the most important feature. There has to be something more to it, something that we cannot point out merely by analysing the music theoretically. Going beyond the rhythms, melodies, harmonies and structures, I’ve come to think about resonance: that we are all searching for things that cause physical and/ or emotional reactions in us; things that resonate in us somehow.

Here, by resonance I mean the vibrations in physical objects caused by sound waves (here in better words). Besides hearing sounds and being able to distinguish different pitches, we can also feel different frequencies in different parts of our bodies, even without actually hearing them. According to an Italian study, besides each of us having our individual musical tastes, every individual seems to have a certain frequency that has the most powerful affect on their brain. And because our bodies are all unique, they also respond to sound waves differently. That means, the sounds that make provoke reactions in me, do not necessarily have any affect on you, or they might even feel irritating.

To me, our quest for resonance seems universal, and apparently also our ancestors thousands of years ago took advantage of the power of sound: historical sites, that have been used for rituals, often have very powerful sound amplifying qualities. Some of these sites are naturally occurring, such as caves, and some are human-made. Interestingly, in many of these sacred sites the most optimal frequencies are something between 70 and 130 hZ, and, as the aforementioned study shows, these are the frequencies that have very strong physical effects on our brain.

Music cultures all over the world have developed their own ways of producing sounds that affect them somehow. The harmonic ideals and the instrumentations of Western classical and popular music are definitely not the only possibilities for producing strong resonance: there is a vast variety of different tuning systems, instruments, instrumental and vocal techniques, rhythmic and melodic ideas, timbres and musical genres in this world. Another example from the versatile gamelan music: the instruments of gamelan ensembles are intentionally tuned in pairs so that the other one of each pair is slightly lower-pitched than the other. When ringing at the same time, the two pitches very close to each other produce interference, a special shimmering sound, that adds up to  the gamelan ensemble’s rich, vibrating sound. This “fullness” is considered to give the spectator a sense of divine presence, and the music also helps people to alter their state of consciousness.

With all its applications, I think that resonance is the thing that makes music one of the greatest superpowers we humans have, and EVERYBODY can benefit from it. But since there’s so much music to choose from, the question is: What makes you resonate?

 

Music and Me: Intro

After a long, long sickleave I am finally getting back to my fresh blog, and it’s about a time to publish my first written post about music. For quite many years now, I’ve been analysing my personal relationship with music and sounds, and I’m more than excited to share my thoughts here!

Lately I’ve been thinking about the meaning or meanings of music, and the power it has in our lives. At least a few of the next posts will be discussing those topics, and since I’ve been studying some ethnomusicology here in Melbourne, there will be a lot of things related to different music cultures of the world. I’m not much of an academic researcher myself, but in case someone is interested in knowing more of the things I mention, I’ll try to mention the resources I’ve been using.

Let’s dive into the vast ocean of sound and music!

 

So begins my Journal… and my new life in Melbourne

Here it is, the very first piece of my Sonic Journal. I’ve been looking forward to this with great excitement, but also with great anxiety, as always when releasing new material. And now that it is the first time I’m also mixing my music, it’s even more scary to publish this! But here I go.

This piece, All Around Me, is actually a piece that gave me the idea of this blog. I made this piece for my class at the VCA, and my task was to use text or image as inspiration. As soon as I started working on this piece, I realized it was going to be somewhat like a piece of my journal of my first month in Melbourne, far away from familiar places and faces, in this huge city with the population almost as big as in whole of Finland. I had been wandering around the city and hearing lots and lots of interesting sounds and seeing lots and lots of interesting and thought-provoking things all around me, and here are some fractions of those observations.

Have a listen and share your thoughts, it will be much appreciated!

Sonic Observer

Welcome to Sonic Observer blog!

This blog is my personal journal, but I’m not actually going to tell you that much about my everyday life. My goal is not to describe what I’ve been doing, what I’ve been eating or who I’ve met, but to go beyond these visible parts of my life, and show you some glimpses of what nobody can see: my mind. And since our minds are far too complex systems to properly describe with words, I will use sounds as tools to share my inner life with you.

In the Sonic Journal section I will share musical pieces that often include field recordings from my everyday life. My method is to collect sounds that interest me and that give me impulses and that provoke thoughts, and turn them into musical pieces. The sounds are, naturally, also tied to the visual world, but at least for me, mere sounds are powerful tools for remembering places, situations and emotions. So in a way, I am making sonic paintings of landscapes and atmospheres, and I will also include myself and bits of my inner world in them. 

There will also be some written posts relating to sounds and how I perceive and deal with them. These writings are a part of my inner conversations and learning, and I welcome you to take part in these conversations, and hopefully we will learn new things together!

Even though this blog is very personal, I hope that it gives you something to feed your mind with. This is all pure exploration of this world, its sounds, life, people, other creatures, and myself. Please join me on my quest, and please share your thoughts about my blog!

Cheers,

Mirva

About me

Hi, my name is Mirva. I’m a multi-instrumentalist, composer, music student and freelance-musician from Finland. My main instruments are double bass, violin and voice, and I also play a Finnish type of a bowed lyre, the jouhikko. I’m currently studying music and ethnomusicology as an exchange student in Melbourne, Australia.

Having studied traditional Finnish music for many years now, I felt that it is time to search for new musical paths in order to express myself and develop my musicianship further. Now that I’m here, far away from my usual social and musical circles, I’m full of new ideas and ready to explore new ways of making music. That means that I also need to learn A LOT of stuff in order to bring these ideas to life. And this time, I’m going to make this forever ongoing learning process public! This blog will be a part of learning new stuff, and I’m very excited about this!

Not being anything like a sound engineer, it might take a while for me to be able to produce at least somewhat decent sounding music, but I’ve challenged myself to just publish some music frequently, even though the pieces might not yet be in their final form. Each piece will take me further on my path, and it will be interesting to see how my style and skills develop along the way. Hopefully this will be interesting for you, too!

If you want to learn about my previous musical projects, please visit the website of my solo project. There you’ll find info about my solo project “Tarvaantytär” plus brief info and links to other projects I’ve been working on in Finland.

Thank you for your interest!